{"id":2498,"date":"2023-09-05T20:47:55","date_gmt":"2023-09-05T18:47:55","guid":{"rendered":"https:\/\/www.lempikuoro.fi\/?page_id=2498"},"modified":"2023-09-05T22:17:17","modified_gmt":"2023-09-05T20:17:17","slug":"dialogues","status":"publish","type":"page","link":"https:\/\/www.lempikuoro.fi\/en\/dialogues\/","title":{"rendered":"Dialo\u00adgues"},"content":{"rendered":"

DIALOGUES<\/span><\/strong><\/h1>\n\n\n\n

Thursday 7th of September, 2023 at 7 pm
Rita\u00adri\u00adhuone \/\/ The House of Nobi\u00adlity<\/strong>

Performed by Lempi\u00adkuoro<\/strong>
Conducted by Julia Lainema<\/strong>
Featu\u00adring Nome Quartet<\/strong>:
Elina P\u00e4kkil\u00e4, violin
Anna Husgafvel, violin (guest)
Elina Heik\u00adkinen, viola
Petja Kainu\u00adlainen, cello (guest)
Taru Tiusanen, double bass<\/em><\/p>\n\n\n\n

PROGRAMME<\/strong><\/h2>\n\n\n\n

Jukka Linkola (1955-)<\/strong>
Puna\u00adpaula<\/em>, 2. part from the series Mieli\u00adteko (1999)
text: trad
solos: Kaisu Havu\u00adkumpu, Salla Laisi, Tuike Lehko, Otto Velt\u00adheim

Juhani Komu\u00adlainen (1953-)<\/strong>
Fantai\u00adsies D\u00e9co\u00adra\u00adtives<\/em>
text: Oscar Wilde
Le Panneau<\/em> (1996)
Les Ballons<\/em> (1997)

Claudio Monte\u00adverdi (1567\u20131643)<\/strong>
Luci serene e chiare<\/em> (1603)
text: Ridolfo Arlotti

Eric Whitacre (1970-)<\/strong>
Leonardo Dreams of His Flying Machine<\/em> (2001)
text: Charles Anthony Silve\u00adstri
solos: Aino Heis\u00adkanen, Hanna Juntunen, Stefano De Luca

\u2013 INTERVAL \u2013<\/strong>

Caro\u00adline Shaw (1982-)<\/strong>
To the Hands<\/em> (2016)

text: Caro\u00adline Shaw, The Internal Displace\u00adment Moni\u00adto\u00adring Centre & The Bible

I. <\/strong>Prelude
II. <\/strong>in medio \/ in the midst
III. <\/strong>Her beacon-hand beckons
IV. <\/strong>ever ever ever
V.<\/strong> Litany for the Displaced
solos: Anni Jaalas, Ella K\u00e4h\u00e4r\u00e4, Hanna Juntunen, Lauri Marja\u00adm\u00e4ki, Xiaoyu Chen, Stefano De Luca, Lauri Lehmusoja, Devina Boughton, Elissa Shaw, Pilvi Kekkonen<\/em>
VI.<\/strong> i will hold you
solos: Inka Laisi, Pilvi Kekkonen, Ella K\u00e4h\u00e4r\u00e4, Jukka Parkas, Aleksi Tiira<\/em>

Finnish premiere, 7.9.2023
Lempi\u00adkuoro, Julia Lainema & Nome Quartet<\/em> <\/p>\n\n\n\n

JULIA LAINEMA<\/strong><\/h2>\n\n\n
\n
\"Lempikuoron
Photo: Vuokko Salo<\/em><\/figcaption><\/figure><\/div>\n\n\n

The Dialogue<\/em> concert programme reflects the conver\u00adsa\u00adtions between diffe\u00adrent eras, compo\u00adsers and social issues. Opening the concert, Jukka Linkola\u2019s<\/strong> exhi\u00adla\u00adra\u00adting rein\u00adterpre\u00adta\u00adtion of the folk tune Puna\u00adpaula<\/em> is a small curtsy towards tradi\u00adtion. Combi\u00adning modern and quaint, the result is a joyful and fresh piece of music brought to the present day. Oscar Wilde\u2019s<\/strong> colourful poetic phrases are trans\u00adformed into glorious harmo\u00adnies in Juhani Komulainen\u2019s<\/strong> Fantai\u00adsies D\u00e9co\u00adra\u00adtives<\/em>. The seam\u00adless connec\u00adtion between the music and the poem is powerful: the choir\u2019s sound changes with the text from flic\u00adke\u00adring to dark, from delicate to powerful.

Luci serene e chiare<\/em> is from Claudio Monteverdi\u2019s<\/strong> fourth madrigal book, dating to 1603. When Eric Whitacre<\/strong> was looking for inspi\u00adra\u00adtion for his compo\u00adsi\u00adtion Leonardo Dreams of his Flying Machine<\/em>, he listened a lot to the songs from Monteverdi\u2019s fourth madrigal book. The connec\u00adtion between the compo\u00adsers was found without any conc\u00adrete dialogue \u2013 it just happened to be four hundred years apart.

The second half of the concert is dedicated to the six-move\u00adment compo\u00adsi\u00adtion To the Hands<\/em> by the American composer Caro\u00adline Shaw<\/strong>. For this work, Lempi\u00adkuoro invites Nome Quartet, rein\u00adforced by a double bass player, to take to the stage. Lempi\u00adkuoro and Nome\u2019s perfor\u00admance is the Finnish premiere of the piece.

Caro\u00adline Shaw composed To the Hands<\/em> as part of the Seven Responses project, in which seven contem\u00adpo\u00adrary compo\u00adsers were commis\u00adsioned to write a duet for Diet\u00adrich Buxtehude\u2019s<\/strong> Membra Jesu Nostri<\/em> cantata. To the Hands was composed to accom\u00adpany the cantata\u2019s Ad manus<\/em> section. The work engages in a dialogue not only between contem\u00adpo\u00adrary music and 17th-century music, but also, through its content, with social issues. The central pers\u00adpec\u00adtive is the suffe\u00adring of people seeking asylum and our role and respon\u00adsi\u00adbi\u00adlity in global and local crises.

To the Hands<\/em> begins and ends around Buxtehude\u2019s musical language. The medi\u00adta\u00adtive soundscape of the first move\u00adment carries into the second move\u00adment, which is based on a quota\u00adtion from Buxtehude\u2019s cantata. The text \u201dwhat are these wounds in your hands\u201d (manuum tuarum<\/em>) turns at the end of the second move\u00adment to address us all about our social respon\u00adsi\u00adbi\u00adlity: \u201dwhat are these wounds in our hands\u201d (manuum nostrum<\/em>). The third part calls for safety and freedom. In the fourth part, the focus shifts to a closer look: we are confronted with a vision of a grand\u00admother in waiting \u2013 who is she, who is she waiting for, what has she left behind? The figures listed in part five are people who have been displaced within the borders of their own country. The promise of comfort and unity in the sixth part is found in us and in somet\u00adhing greater than us, whether it be the words of Jesus, a parent, or an entire nation.

Julia Lainema<\/strong>
Artistic Director of Lempi\u00adkuoro<\/em>


Julia Lainema graduated with a Master of Music degree in Choral Conduc\u00adting from the Sibe\u00adlius Academy in the summer of 2022, having previously completed a Master of Music degree in Music Educa\u00adtion. In addi\u00adtion to Lempi\u00adkuoro, Julia is the artistic director of Ahjo Ensemble, Kaari Ensemble and, from spring 2023, also the N\u00e4si Chamber Choir. She arranges and composes choral music and has orga\u00adnised various choral music events. Julia is a member of the Committee for Equal Oppor\u00adtu\u00adni\u00adties of the Finnish Choral Direc\u00adtors Associa\u00adtion and writes a blog on choral music called \u201dWomen compo\u00adsers in choral music\u201d.<\/em><\/p>\n\n\n\n

Lempikuoro<\/strong><\/h2>\n\n\n
\n
Photo: Pyry Kantonen<\/em><\/figcaption><\/figure><\/div>\n\n\n


Lempi\u00adkuoro is a Helsinki-based mixed choir founded by expe\u00adrienced singers in autumn 2019. In Lempi, high-class singing meets the joy of making music and explo\u00adring new perfor\u00admance methods together. The choir\u2019s reper\u00adtoire is based on a wide range of clas\u00adsical choral music from the Renais\u00adsance to the present day. In June 2023, the choir was awarded two gold medals at the Tampere Choral Festival. In the summer of 2022, the choir performed in the highly acclaimed Sun & Sea opera produc\u00adtion, which was part of Kiasma\u2019s ARS22 exhi\u00adbi\u00adtion and the Helsinki Festival. The choir has also been among the first choirs to hold its own live\u00adstream concert during the strict corona restric\u00adtions in 2020, performed with pop musician Janne Masalin in 2021 and premiered five new choral works at the Sensa\u00adtion concert in autumn 2022<\/p>\n\n\n\n

Nome Quartet<\/strong><\/h2>\n\n\n
\n
Photo: Sakari R\u00f6ysk\u00f6<\/em><\/figcaption><\/figure><\/div>\n\n\n

The Nome Quartet is an ensemble of young profes\u00adsio\u00adnals who have been gaining a firmer foot\u00adhold in the Finnish quartet scene in recent years. Founded at the Kuhmo Chamber Music Festival in 2013, the Nome Quartet has been heard at the Kino Soi! concert series in Espoo Tapiola and at the Kumpula Chamber Concerts in Helsinki. In the Dialogue concert, the Nome Quartet will be joined by double bassist Taru Tiusanen<\/strong>. The cellist is subs\u00adti\u00adtuted by Petja Kainu\u00adlainen<\/strong> and the second violi\u00adnist by Anna Husgafvel<\/strong>.

Elina P\u00e4kkil\u00e4, violin
Anna Husgafvel, violin (guest)
Elina Heik\u00adkinen, viola
Petja Kainu\u00adlainen, cello (guest)
Taru Tiusanen, double bass<\/em>

nomequartet.com<\/a><\/p>\n\n\n\n

TEXTS AND TRANSLATIONS<\/strong><\/h2>\n\n\n\n

Linkola: Puna\u00adpaula<\/strong> (Red Ribbon)<\/em>
text: trad <\/em>

A lass puts a red ribbon on and dancing she goes
She ties it on the arm of her loved one
Why do you tie it so tight, O my love
Or do you think I\u2019ll run away

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..

Komu\u00adlainen: Le Panneau \u2013 The Panel<\/strong>
text: Oscar Wilde<\/em>

Under the rose-tree\u2019s dancing shade
There stands a little ivory girl,
Pulling the leaves of pink and pearl
With pale green nails of polished jade.

The red leaves fall upon the mould,
The white leaves flutter, one by one,
Down to a blue bowl where the sun,
Like a great dragon, writhes in gold.

The white leaves float upon the air,
The red leaves flutter idly down,
Some fall upon her yellow gown,
And some upon her raven hair.

She takes an amber lute and sings,
And as she sings a silver crane
Begins his scarlet neck to strain,
And flap his burnished metal wings.

She takes a lute of amber bright,
And from the thicket where he lies
Her lover, with his almond eyes,
Watches her move\u00adments in delight.

And now she gives a cry of fear,
And tiny tears begin to start:
A thorn has wounded with its dart
The pink-veined sea-shell of her ear.

And now she laughs a merry note:
There has fallen a petal of the rose
Just where the yellow satin shows
The blue-veined flower of her throat.

With pale green nails of polished jade,
Pulling the leaves of pink and pearl,
There stands a little ivory girl
Under the rose-tree\u2019s dancing shade.

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..

Komu\u00adlainen: Les Ballons \u2013 The Balloons<\/strong>
text: Oscar Wilde<\/em>

Against these turbid turquoise skies
The light and lumi\u00adnous balloons
Dip and drift like satin moons,
Drift like silken butterflies;

Reel with every windy gust,
Rise and reel like dancing girls,
Float like strange trans\u00adpa\u00adrent pearls,
Fall and float like silver dust.

Now to the low leaves they cling,
Each with coy fantastic pose,
Each a petal of a rose
Strai\u00adning at a gossamer string.

Then to the tall trees they climb,
Like thin globes of amet\u00adhyst,
Wande\u00adring opals keeping tryst
With the rubies of the lime.

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..

Monte\u00adverdi: Luci serene<\/strong> e chiare<\/strong>
text: Ridolfo Arlotti<\/em>

Eyes serene and clear
you inflame me, but the heart
finds plea\u00adsure, not sorrow, in the fire.

Words sweet and dear,
you wound me, but my breast
finds plea\u00adsure, not sorrow, in the wound.

O miracle of love!
The soul that is all fire and blood
destroys itself, grieves not, dies without languis\u00adhing.

(From a programme published on the Internet by Sonoma State Univer\u00adsity Chamber Singers)<\/em>

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..

Whitacre: Leonardo Dreams of his Flying Machine<\/strong>
text: Charles Anthony Silvestr<\/em>i

I.<\/strong>
Leonardo Dreams of his Flying Machine\u2026

Tormented by visions of flight and falling,
More wondrous and terrible each than the last,
Master Leonardo imagines an engine
To carry a man up into the sun\u2026

And as he\u2019s drea\u00adming the heavens call him,
softly whis\u00adpe\u00adring their siren-song:
\u201cLeonardo. Leonardo, vieni \u00e1 volare\u201d. (\u201cLeonardo. Leonardo, come fly\u201d.)

L\u2019uomo colle sua congieg\u00adniate e grandi ale,
facciendo forza contro alla resis\u00adtente aria.
(A man with wings large enough and duly connected
might learn to overcome the resis\u00adtance of the air.)

II.<\/strong>
Leonardo Dreams of his Flying Machine\u2026

As the candles burn low he paces and writes,
Relea\u00adsing purc\u00adhased pigeons one by one
Into the golden Tuscan sunrise\u2026

And as he dreams, again the calling,
The very air itself gives voice:
\u201cLeonardo. Leonardo, vieni \u00e1 volare\u201d. (\u201cLeonardo. Leonardo, come fly\u201d.)

Vicina all\u2019elemento del fuoco\u2026
(Close to the sphere of elemental fire\u2026)

Scratc\u00adhing quill on crumpled paper,

Rete, canna, filo, carta.
(Net, cane, thread, paper.)

Images of wing and frame and fabric fastened tightly.
\u2026sulla suprema sottile aria.
(\u2026in the highest and rarest atmosp\u00adhere.)

III<\/strong>.
Master Leonardo Da Vinci Dreams of his Flying Machine\u2026
As the midnight watch\u00adtower tolls,
Over rooftop, street and dome,
The triumph of a human being ascen\u00adding
In the drea\u00adming of a mortal man.

Leonardo steels himself,
takes one last breath,
and leaps\u2026

\u201cLeonardo, Vieni \u00e1 Volare! Leonardo, Sognare!\u201d (\u201cLeonardo, come fly! Leonardo, Dream!\u201d)

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..

Shaw: To the Hands <\/strong>

I. <\/strong>Prelude

II. <\/strong>in medio \/ in the midst

quid sunt plagae istae<\/em>
quid sunt plagae istae in medio manuum tuarum <\/em>
in medio <\/em>
quid sunt plagae istae <\/em>
quid sunt plagae istae in medio manuum nostrarum <\/em>

trans\u00adla\u00adtion: <\/em>
what are those wounds <\/em>
what are those wounds in the midst of your hands <\/em>
in the midst<\/em>
what are those wounds <\/em>
what are those wounds in the midst of our hands<\/em> 

III. <\/strong>Her beacon-hand beckons

Her beacon-hand beckons: 
give 
give to me those year\u00adning to breathe free
tempest-tossed they cannot see 
what lies beyond the olive tree 
whose branch was lost amid the pleas 
for mercy, mercy 
give 
give to me 
your tired figh\u00adters fleeing flying 
from the
from the 
from 
let them 
i will be your refuge 
i will be your refuge 
i will be 
i will be 
we will be 
we will

IV.<\/strong> ever ever ever

ever ever ever 
in the window sills or 
the beveled edges 
of the aging wooden frames that hold 
old photo\u00adgraphs 
hands folded 
folded 
gently in her lap 

ever ever 
in the crevices 
the never-ending efforts of 
the grandmother\u2019s tendons tending 
to her bread and empty chairs 
left for Elijahs 
where are they now 

in caverna <\/em>
in caverna<\/em>

V. <\/strong>Litany of the Displaced

The choir speaks global figures of internal displace\u00adment, sourced from the Internal Displace\u00adment Moni\u00adto\u00adring Centre (http:\/\/www.internal-displacement.org\/global-fgures \u2014 accessed 01\/03\/2016). The numbers spoken are the numbers of inter\u00adnally displaced persons by country, in ascen\u00adding order. These are people, some of whom may have legal refugee status, who have been displaced within their own country due to armed conflict, situa\u00adtions of gene\u00adra\u00adlized violence or viola\u00adtions of human rights.<\/em>

VI.  <\/strong>i will hold you

i would hold you 
i would hold you 
ever ever will i hold you 
ever ever will i enfold you 

in medio <\/em>
..
in medio manuum tuarum<\/em>
(in the midst of your hands)<\/em><\/p>","protected":false},"excerpt":{"rendered":"

DIALOGUES Thursday 7th of September, 2023 at 7 pmRitarihuone \/\/ The House of Nobility Performed by LempikuoroConducted by Julia LainemaFeaturing Nome Quartet: Elina P\u00e4kkil\u00e4, violinAnna Husgafvel, violin (guest)Elina Heikkinen, violaPetja Kainulainen, cello (guest)Taru Tiusanen, double bass PROGRAMME Jukka Linkola (1955-)Punapaula, 2. part from the series Mieliteko (1999)text: tradsolos: Kaisu Havukumpu, Salla Laisi, Tuike Lehko, Otto […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":10,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"{\"coblocks-shape-divider-931212241693\":{\"backgroundHeight\":{\"height\":20}}}","_coblocks_accordion_ie_support":"","wp_typography_post_enhancements_disabled":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":""},"featured_image_urls_v2":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":"","trp-custom-language-flag":"","ab-block-post-grid-landscape":"","ab-block-post-grid-square":"","ultp_layout_landscape_large":"","ultp_layout_landscape":"","ultp_layout_portrait":"","ultp_layout_square":"","post-thumbnail":"","twentytwenty-fullscreen":"","woocommerce_thumbnail":"","woocommerce_single":"","woocommerce_gallery_thumbnail":""},"post_excerpt_stackable_v2":"

DIALOGUES Thursday 7th of September, 2023 at 7 pmRitarihuone \/\/ The House of NobilityPerformed by LempikuoroConducted by Julia LainemaFeaturing Nome Quartet: Elina P\u00e4kkil\u00e4, violinAnna Husgafvel, violin (guest)Elina Heikkinen, violaPetja Kainulainen, cello (guest)Taru Tiusanen, double bass PROGRAMME Jukka Linkola (1955-)Punapaula, 2. part from the series Mieliteko (1999)text: tradsolos: Kaisu Havukumpu, Salla Laisi, Tuike Lehko, Otto VeltheimJuhani Komulainen (1953-)Fantaisies D\u00e9corativestext: Oscar WildeLe Panneau (1996)Les Ballons (1997)Claudio Monteverdi (1567-1643)Luci serene e chiare (1603)text: Ridolfo ArlottiEric Whitacre (1970-)Leonardo Dreams of His Flying Machine (2001)text: Charles Anthony Silvestrisolos: Aino Heiskanen, Hanna Juntunen, Stefano De Luca– INTERVAL –Caroline Shaw (1982-)To the Hands (2016)text: Caroline Shaw, The…<\/p>\n","category_list_v2":"","author_info_v2":{"name":"admin","url":"https:\/\/www.lempikuoro.fi\/en\/author\/admin\/"},"comments_num_v2":"0 comments","yoast_head":"\nDialogues - 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